Threadnody

Threnody (n): a song, poem, or musical piece composed as a formal lamentation or memorial for the dead

On Tuesday, Joseph, Ella and I buried this bracelet in the backyard. 

The bracelet had been with me for almost a year. On my wrist. In my backpack. My purse. It came with me to Kallah in Baltimore over the summer. It came with me to California for three visits and then a fourth when I officiated my grandfather’s funeral. It went to three different states when I officiated weddings in August, October, and January.

I bought the bracelet not long after we lost our last embryo on March 10, 2025. With that embryo, we also lost our last chance to become biological parents to a second child. I was still carrying the weight of the two pregnancies we lost before our miracle Ella, as well as the two losses that followed her. Even as I delighted in Ella every day, I grieved for the future I envisioned for us as a family of four. At the same time, my parents were preparing for their move to Florida. Realizing they are aging, I grieved anew that it took us so long to have a child and that we live too far away for frequent visits. I grieved for the time we lost and the time we won’t have. I grieved the end of my childhood, young adulthood, and the vision I’d had for my future. 

I had trouble speaking about this litany of grief because I also have so much to be grateful for. I know that grief does not undermine gratitude – it actually expands our capacity for it.  But it was still hard for me to name this weight, padlocks dangling heavy on the gates of my heart. 

If anyone else had come to me with this problem, I would have designed a ritual for them, some way to externalize the feeling, acknowledge and validate it. I would have invited them into ritual to honor the memory of what had been lost, and to support their steps into the future. But as our sages taught, in a famous Talmud passage, “A prisoner cannot free themself from prison.” In the story, Rabbi Yohanan, who had the power to heal others from sickness, could not heal himself. He needed a friend to help, and so did I (Talmud Bavli, Brachot 5). It was Reb Irwin who suggested a bracelet made of biodegradable materials. Something that I could keep for a year and then bury. I’d made similar suggestions to others coping with miscarriages – carry a rock for a week, a month, or as long as you carried the pregnancy, and then bury it. In the absence of a body, a casket, or a funeral, it’s helpful to hold a physical item, return it to the earth, and say goodbye. The loss of this embryo seemed to carry all the previous losses inside of it, a set of faceless Russian nesting dolls. With all of those layers, it felt like a year was the right amount of time to carry the bracelet. 

The bracelet I selected was made of turquoise acai seeds and black cotton thread. When it arrived, I counted 22 beads. One for each letter of the Hebrew alphabet. In Jewish tradition, 22 is a number that represents creation and completion. The mystics teach that these letters were the building blocks of the universe. In Bereishit, God created 22 things within the six days of creation, and rested when the work was complete. And in gematria, Hebrew numerology, the number 22 = יחד yachad, which means “together.” 

Despite my intent to wear it daily (and the mystical meaning I was rapidly assigning to acai seeds on a string), the bracelet itself was not the sturdiest. The woven structure fell apart within two weeks. I bought a second one. After all, if I wanted this item to stay with me for the duration of a year, I needed something durable, something that could hold itself together. The second one fell apart as quickly as the first, and I found myself asking my friend Bekah to help me stitch the beads back in line at ALEPH’s Kallah over the summer. Bekah is a Kohenet, artist and ritual guide; I told her why the bracelet was important to me, and asked for suggestions. How could I keep it from falling apart? 

I spent a lot of time rethreading the beads in the art room during breaks at Kallah. I tied and retied them, but no matter how I tried, I couldn’t get the beads to line up as they had before. Bekah noticed, and she reflected my behavior back to me – my singular focus on stringing the beads in a specific way. And I realized that for years, I had been trying to build my life the same way. No matter how hard I try, I just can’t control the future. I can pick the colors, string the beads, line everything up, create something beautiful – but sometimes, the thread breaks, the colors fade, the last embryo fails to attach. Sometimes, I am left with something less than what I’d envisioned, and more beautiful in its authenticity. I am left with the life I have, and the best thing I can do is wrap it around my wrist, and wear it with love. 

I kept both of the broken bracelets, carried them through my own wilderness, like the broken Tablets of the Covenant the Israelites carried, along with the whole ones, in their traveling sanctuary (Talmud Bavli, Bava Batra 14b). I kept one bracelet within my eyesight in my office, and kept the other in my backpack or purse. These artifacts of my grief made the losses visible, even if they were only visible to me. 

This past Tuesday was March 10, 2026. One year had passed since the day we learned about our last embryo. It was time for burial. Since I had two bracelets, I decided to keep one as a reminder of what I learned in the art room at Kallah. I brought the other out to the yard behind the house we’ve been renting in Urbana for the last four years. I moved into this house mid-miscarriage, and it’s the house we brought Ella home to when she was born. It’s the last home we ever shared with Gulliver. 

It was a beautiful spring day. Ella was wearing her favorite sweatshirt, the one my mom made for her with a dog embroidered on the front. We didn’t have a gardening trowel, but the earth was soft enough that we could dig a small hole with a snow shovel and soup ladle. “Today we are outside in the yard!” Ella chattered, telling us about the trees, the grass, and the wildflowers. She was excited to help us dig, “like a doggie!” I didn’t feel the need to say a blessing of any kind, or to name out loud what we were doing and why. It was beautiful to just be yachad – together – returning these 22 seeds to the earth. Ella asked if we could eat dinner outside afterward, so we sat together on the porch, enjoying the evening. 

One year after a traditional burial, Jews do an unveiling ceremony. The headstone is covered until that time, and at a ceremony around the one year anniversary, the veil is lifted. This was a different kind of loss, and I was burying, not unveiling. But something lifted for me that night as we sat on the porch together after burying the bracelet. For a few moments, there were no veils separating the life I am living from the life I had envisioned. I tied my daughter’s laughter with string, wrapped it twice around my heart, and I knew, in that moment, that we are everything we need. 

A Brush with Death

For as long as I can remember, this hairbrush, mirror, and lace doily have lived on the bedroom dresser in my grandparents’ bedroom. I remember playing with them as a little girl – marveling at how something as simple as a hairbrush could be made ornate. I don’t recall my grandmother ever using them. But I knew they were hers. I associated them with her. And they belonged on my grandparents’ bedroom dresser, next to the framed photo of my whole family at my bat mitzvah, and facing the large painted portraits of my mom and my two uncles when they were children, hanging on the wall over my grandparents’ bed.

I don’t know what I will do with the hairbrush and the mirror, but I couldn’t bear the thought of letting them go. As if leaving them in the donation box meant giving away the part of me was who believed everything my grandmother touched was beautiful because she had touched it. I added them to my pile on the bed in my mom’s childhood bedroom, along with two of grandmother’s paintings, a couple of photo albums, and a needlepoint she made. I remember looking at the needlepoint as I fell asleep while my grandmother sang Brahms lullaby in Yiddish.

The hairbrush and mirror look out of place next to these handmade treasures, and next to the menorah – the metal dark with age – that my mom and her brothers grew up lighting for Chanukah. We lit that menorah together with my grandfather during our visit and I am so glad we were there to do that. I am so glad Ella repeated the words after me, while my grandfather beamed beside her. I never expected that I’d be taking this menorah – or the paintings or needlepoint or the hairbrush and mirror – home with me, just over a week later.

I went to my grandfather’s CD tower and pulled out an album from clarinetist, Acker Bilk. When I picked up the clarinet in band in fifth grade, my grandfather introduced me to his “Stranger on the Shore,” and we loved to listen to it together – plaintive, longing, wistful. He and I were supposed to dance to that song at my wedding but my grandmother was tired and needed to get home before the DJ got around to playing it. Now the song was echoing in my heart as I walked through my grandparents’ house – full of things, but empty of them.

My grandparents’ house was our second home when I was growing up. They only lived about 25 minutes from us, and we were there every Sunday for dinner. After I left for college, every time I came home to visit my parents, we also had Sunday dinner with my grandparents. My mom dutifully shared photos of each Sunday meal in our family group chat, so I felt connected to those gatherings even when I lived far away. As a child, I didn’t realize how rare it was to have no true “extended” family, because there were no extensions – we saw each other every week, so everyone was immediate. Everything was always. My grandparents’ house was the other home I came home to, even after my grandmother died in 2015. We all still miss her, but I loved that I could feel her comforting presence so strongly when I visited. Everything she touched, like the brush and the mirror, was right where she left it.

I said goodbye to my own childhood home three times, but when I left after winter break, I was not prepared to say goodbye to this one. My parents were supposed to move away and sell the house over the summer, so I visited and said goodbye to their house in May, walking through it with my phone, taking photos and videos. I narrated favorite memories associated with every corner, floorboard, and cabinet. My parents ended up pushing the move back, and I was grateful to have one more Thanksgiving and winter break in the house.

Joseph, Ella, and I were in Southern California, visiting our homes, and our families in them, from December 20th-December 28th this year. We spent time with my grandfather on 21st and 25th. My grandfather had just received a good report from his primary care physician. At the age of 95, he still lived independently and read voraciously. Driven by lifelong intellectual curiosity and a zest for learning, my grandfather led three discussion groups in his 90s, for other octo and nonagenarians. When I was in college, my Grampie was the only person besides my thesis advisor to have read my entire undergraduate senior thesis – which was a serious undertaking, because that thing was over 100 pages on the American Revolution. I remember when he handed it back to me – with typos marked in red! Typos my thesis advisor herself had missed. I was so touched that he’d read the whole thing and with such attention to detail. He also read my masters thesis, and, I believe, most, if not all, of my rabbinic capstone.

In the living room of their house, the book my grandparents made for me, of all the poetry I wrote between the ages of 6 and 13, was at the center of their coffee table. They called it “Voyage of the Imagination,” and they had presented it to me for my bat mitzvah. It’s one of the most cherished gifts I’ve ever received – not just the book itself, but their relentless belief in my words, in my story, and in me. My grandfather believed I had something to say, something precious to offer – and whether it was an elementary poem in rhyming couplets, an academic thesis, or a high holiday drash, he wanted to hear it, read it, mark it up with a red pen and hand it back to me with one thousand questions. Grampie’s great-granddaughters – who called him “Double,” for double-grandparent – were the light of his life, and having Ella there to visit, chatting, playing, and singing, clearly made his whole month. I had no reason to think it was the last time. But I guess no one ever really does.

The day we flew back to Illinois, my grandfather wasn’t doing well. He’d had a couple of on and off health issues in the last year – but he was in his 90s, and that happens. A nagging feeling tugged at my heart but I shrugged it off. My grandfather had bounced back so many times that we barely worried. He went into the hospital and my mom kept us updated on his progress. My mom told me that Grampie had decided that if he wasn’t getting better, he was at peace and ready to join my grandmother. This was his decision. I was sure he would recover.

On December 31st, I woke up feeling nauseous. I assumed it was nothing and went to work. Then my mom messaged me. My grandfather was on hospice. Not long after that, he was gone, and I discovered I had food poisoning. I went home to look at flights. The funeral would be on January 2nd, and I would be officiating.

I wrote the eulogy in the airport on January 1st. My grandfather had been an aviation pioneer – involved in the early years of commercial air travel – and even as I sat there, queasy and grieving, it felt like an appropriate place to write something beautiful for him. And I did write something beautiful. I wrote a beautiful eulogy and designed a beautiful funeral. I officiated a beautiful service on January 2nd, after spending the night awake and writhing with stomach pain. It was an honor to his memory and a love letter to his legacy. I didn’t cry until I was in my grandparents’ house for the last time, realizing that these things – from the hairbrush to the Sunday dinner table – would no longer be there, waiting for me to come home to them.

I know that a table isn’t the people who sat around that table together, but my memories are wrapped around the table legs. My memories are laughing with my grandfather in the living room, falling asleep to my grandmother’s voice, running their fingers over her hairbrush. My memories’ hands are sweaty and struggling to turn the doorknob of my parents’ house after high school cross-country practice. They are tucking a letter for the tooth fairy under the pillow in my childhood bedroom – after I swallowed my first tooth, I wrote the letter asking the tooth fairy if I could have the prize anyway (she conceded). My memories are following baby Ella as she crawls down the hallway toward the den. My memories are sharing an indoor picnic in that den, sitting on a blanket in front of the fireplace and listening to the rain fall outside. My rituals of return brought me back to the same two homes my entire life. I miss my grandparents. I will miss these places too. It feels like my childhood and young adulthood chapters are closing as my family tries to close these two houses.

But thankfully, memories cannot be sold. Thankfully, I am a ritual artist, and we are creating new ones. Ella FaceTimes with my parents each morning. It’s not Sunday dinner, but it is meaningful. My parents are moving, but their new home will become the house Ella remembers. My grandfather died, but I think of him when I listen to “Stranger on the Shore,” and when I ask too many questions. My grandmother is gone, but I hear her voice when Ella listens to Brahms Lullaby as she falls asleep.

The goodbyes pile up in the inbox of my heart, and I can only mark “unread” for so long before I need to respond. So, here I am, in a coffee shop in Central Illinois, writing back – to my grandparents, to my houses, and to the parts of me that still live there. More goodbyes are needed, but I only have capacity to respond to a few at a time, and I am starting with these. “I am sorry for the delayed response, beloveds. I promise I haven’t forgotten. I promise I will always remember.”

Three of these photos are from my Bat Mitzvah (Dec. 7, 1996). One of these photos was taken not long after I was born (Dec. 1983) on the couch in my grandparents’ house. All of these photos were in an album at my grandparents’ house, along with many other cherished memories. May theirs always be for blessing.